Transcriptions and Record copies Made Easier

We have had a few questions about an easier way to transcribe solos and copy arrangements off recordings and I will share a few tips which will make this laborious and time consuming process a little easier. Start with our old friend Audacity or any other recording program which is…

The struggling Cornet

The suppression experienced by our lowly cornet has been present for many, many years as indicated by this famous letter from Herbert L. Clark, sent to Elden L.Benge dated January 13, 1921. Additional cornet enthusiasts have drug their feet in supporting the modern trumpet as stated by cornet enthusiast professor…

Practice- What?

As I mentioned in our previous post, several areas need to be addressed during your daily practice sessions. Download- 60 Minute Practice Routine Warm-up Your warm-up will begin your lip development and I strongly recommend that the first portion should be done on the mouthpiece alone. I have included a…

Practice- When?

What difference does it make when you practice? That is a very good question for little has been written on this subject. I will share some of my feelings on this in hopes that you can gain some insight into the affects of practicing at various times throughout the day.…

Practice- Why

• Why do we practice? We practice to get better. • Why do we have to practice? We don’t but if we didn’t we would not be pleased with our performances. • Why are we concerned about our performances? We are motivated by pride, or fear of embarrassment. Some people…

Practice- Why, When and What?

One of the most distasteful and laborious chores I endure each day is practice. Whether you play a trumpet, trombone or the kazoo, we are all faced with this task if we want to improve or even retain what abilities we have. If you have ever been out for sports,…

The Many Faces Of Swing

Some swing, some try to swing and some cannot swing. Commercial musicians dread the thought of having a “Legit” musician in their section just as orchestral musicians shudder at the thought of having a “Jazzer” join their section. Each ensemble is capable of executing the proper articulation and emphasis with…