Here is another interesting video which illustrates how our instrument and accessories are made. This time we see, from the beginning to the end, a trumpet mouthpiece, hand made at the Taylor instrument factory.
Announcing TrumpetLessonsOnline.com has now launched!
Checkout our FREE Preview lessons here before signing up.
25% discount through January 31st of this year!
Use code “25OFF” when registering for this discount.
For the past year, we have been compiling important information to share with our readers and students which will answer many questions they might have about playing the trumpet.
For almost six decades I have been performing and teaching trumpet and now I have made available an easy and productive series of video lessons compiled for trumpet players of all ages and all levels of performance.
Because of my continued involvement in teaching trumpet I have come across an enormous amount of questions and solutions to problems facing musicians today.
This series of video lessons encompasses more than 40 individual topics every trumpet player should know, including-
· The Importance of warming up and cooling down
· How to make easy and inexpensive alterations to your instrument to improve its performance
· Improve your high range through chromatic exercises
· The easy way to play shakes and falls
· How to improve the intonation of your instrument
· The proper way to clean your trumpet
· How to balance your practice time with difficult performances
· How to breath properly
· What are the best trumpet cases and why
· Learn how to control your nervousness when performing
· How to apply the “Play/Rest” concept to increase your endurance
· Learn exercises to improve your valve speed and control
· Learn how to improvise through several methods
· Increase your lip flexibility
· The importance of marking your music properly
· How to find the proper mouthpiece placement
· Learn the importance of playing pedal tones
· Recognize and correct excessive mouthpiece pressure
· How to properly prepare a solo
· Learn how to improve your sight reading
And these are not even half of the topics covered in this video series.
Now you can learn many of the secrets to playing trumpet which have been passed on to me from my teachers as well as new and advanced ideas such as-
· Learn an easy way to play low D and C# in tune without moving your valve slides
· How to use technology to improve your trumpet playing
· Learn how to choose the best music school to attend for learning your instrument
· What you need to know when playing in an orchestra or show
Along with videos, there are additional exercises and accompanying audio recordings which will help you learn your material faster and easier than you thought possible. Each recording is produced using my “Rest as much as you play” concept which will change the way you practice. The speed of your improvement will surprise you and you will begin to learn how to practice more efficiently and experience fewer lip problems.
If you are searching for a better way to learn your instrument which will take less time from your schedule and improve your trumpet playing at a fast rate, this is the solution to your needs.
25% discount through January 31st!
Use code “25OFF” when registering for this discount.
“This could be the changing point in your trumpet playing”.
This question can mean different things to different people. To a mother of a new born baby, it has one meaning and to a city mayor, it might refer the drinking preference of his/her county. To a trumpet player still another and this is the person I will be addressing in this post.
What is a dry embouchure and what is a wet embouchure?
The difference between the two is the moisture content of the lip area while playing. A wet embouchure is one which has moisture (saliva) under the rim of the mouthpiece and between the lips and a dry embouchure lacks this moisture.
Is it best to play on a dry embouchure or a wet embouchure?
This question has been argued from the beginning of time and the final decision has yet to be made. The reason for this heated debate is the fact that many great players are successful with one and an equal number have chosen the other. Each lip condition has its own advantage and has been used successfully throughout the history of our instrument. I have seen debates from both sides of the aisle and will relate the logic of each.
The advantage of a dry embouchure
The advantage of playing on a dry embouchure is the fact that the player has added security. A dry embouchure player feels the mouthpiece rim is more anchored and less chance of sliding when there is no moisture between the lip and the mouthpiece. This choice is many times preferred by players who use excessive mouthpiece pressure. When an excessive amount of pressure is used, the introduction of moisture between the rim and the lip will cause the mouthpiece to move, thus complicating the players feeling of security. As an example of this problem, I will relate a first hand experience of this problem. While playing the Ringling Brothers, Barnum and Bailey Circus during the summer in Iowa, the third trumpet player complained repeatedly of the heat. As we continued to play, his complaint grew into stark panic. What he was experiencing was complications to his playing style as the sweat continued to form on his lip. He was a dry embouchure player and as the heat increased, his playing ability decreased for his mouthpiece kept sliding on his lip to the point that he couldn’t comfortably play his part. No matter how many times he wiped his lips with his handkerchief, the problem continued. You might consider this example when deciding on which embouchure you prefer. Although this situation is not an advantage as my first sentence in this paragraph stated, it is very relevant to the discussion. That was a disadvantage of playing on a dry embouchure but the next is definitely an advantage. If you are performing outside in the middle of winter as I did at the Farm Progress Show in Western Iowa with the temperature hovering at 15 degrees, a dry embouchure can be your friend. In frigid weather or blowing winds, the dry embouchure has a definite advantage over the wet. For a wet lip player, the only solution is a generous amount of Chapstick and apply it often.
The advantage of a wet embouchure
The advantage of playing on a wet embouchure is the fact that the lips will begin to vibrate more easily with moisture lubricating the lips. Softer entrances are easier and the wetness will help make sure that excessive mouthpiece pressure is not exerted. This debate reminded me of an incident at our university when the great high range player Bud Brisbois was giving a master class to our students. The question was asked of Mr. Brisbois, “Do you play on a wet or dry embouchure?” His answer was quick and decisive, “Dry”. To demonstrate further to the student, he began to illustrate his choice. He picked up his horn and wiped the moisture from his lip, but before he placed his mouthpiece on his lip he licked his lips and proceeded to play. After he had finished, the same student asked him the same question and received the same answer. The student challenged the great player by pointing out the fact that before Mr. Brisbois played, each time he would lick his lips. The argument continued until finally another question was tactfully asked. Here was the great player telling our students that he played on a dry embouchure but each time he began to play, he would lick his lips. The question is still debated; did Brisbois (April 11, 1937 – June 1978) use a dry or wet embouchure? I have my feelings and so did our students that day.
As I have illustrated, there are advantages for playing on a wet embouchure as well as advantages playing on a dry. It is my strong opinion that a wet embouchure is the best but don’t forget to have your Chapstick with you at all times.
I just read this comment from one of our readers and was not sure how to answer it.
“The two parts of my valve have broken apart !! The part where the wind passes through and the key . what do I do”??
Most valves are constructed in the same manner and for that reason, I will graphically try to illustrate the “usual” order to assemble and disassemble a valve. Some older valve instruments may have a different set-up than our newer instruments and if this is the case, a good repair shop should be contacted.
Everything unscrews in the usual manner and the only difficulty is the extraction or insertion of the last piece which fits just below the bottom of the spring. To extract or insert this odd shaped part, you need to rotate it, move it up to the larger opening and work it out sideways. When putting it back, be sure to have the recessed area on top, where the spring seats.
Let me know if this helps.
Also……..when replacing your valves in your instrument, be sure that the numbers on your valves correspond to the numbers on your valve casings.