Before we get to the “How Do I’s”, I need to address a few questions which are seldom asked but are equally important: Why is it important to play in tune? Playing “out of tune hurts”. It doesn’t hurt the player but it certainly hurts the listener. If you watch television programs such as “American Idol” or “So You Think You’ve Got Talent” or some equally popular show, you have experienced the horror of amateur singers trying to make it big. When they land on an out of tune note for any length of time, we all seem to have…
Preparing for a Show Chapter 5 (concentration issues)
Some shows are physically taxing. Some have endurance problems and some, as in this case, have concentration issues. Due to the constant mute changes, tempo changes and vocal cues, I have found this show to be challenging for my ability to concentrate. Through the years I have discovered helpful tricks…
Preparing for a Show Chapter 4 (preparing your work area)
I must admit, I am much more deliberate in my preparations for a show than the average musician. The reason for this is two-fold; 1. I detest making mistakes 2. I am not the quickest learner in the section Because of these shortcomings, I tend to do much more preparation…
Preparing for a Show Chapter 3 (marking your music)
The Importance of Marking Your Music. Now that you understand the music and checked for any calls for mutes, the next step is to start rehearsals. Most of the time the director is reasonable and understanding during the first couple scheduled rehearsals and everyone learns their responsibilities for the show.…
Preparing for a Show Chapter 2 (setting up your practice routine)
Because of the short notice to play this show, my usual routine had to be changed. Usually I will check over the music to find what challenges it might have such as range, endurance, solos, unusual keys, etc. In this case it was and is a straight forward vocal/skit/comedy show…
Preparing for a Show- Chapter 1 (short notice)
Most often a musician is called to perform in a show in Branson at least a month before the first rehearsal, but recently the norm had changed. A new show is in Branson, “which you should go to if you enjoy New York level performers, excellent music and a trip…
Don’s Dictionary of Delirious Dictum
24/7: The time signature of the national anthem of India. Agent: A character how resents performers getting 90% of his salary. Ballet: An art form for people with eating disorders. Bandstand: The area furthest away from an outlet. Big Band: Currently referring to an aggregation of two musicians. Cabaret: A…
Brass Articulation- Triple Tonguing
From the material you have practiced in the preceding post (Double Tonguing) you should have an understanding of the use of multiple articulations. The next level will be using the Tah and Dah attack along with an additional Tah attack. This Tah Tah Kah articulation is called triple tonguing and…
Brass Articulation- Double Tonguing
Double tonguing was developed to increase the speed at which a player could re-articulate a series of notes. From the time of Arban to the performances of Herbert L. Clark the technique was practiced and improved to the point where these musicians were able to accomplish fantastic performances of extremely…
Brass Articulation- The Many Positions of Tah and Dah
To most brass players, the use of Tah and Dah is enough to comprehend but when you have nothing to do at this time of the morning, you need something more than coffee to keep you going and this next material may be beneficial to you. The many syllables based…
Brass Articulation- Why We Use Tah and Dah
It is now 4:26 AM in the morning of Saturday, January 8, 2011 and you are probable asleep in your bed. You may ask, “Why am I sitting at my computer writing this post”? Moments ago, while laying in bed a question flashed through my head “why do we use…