This is the most often question trumpet teachers are asked.
Why is this such a problem? Seldom are students concerned on how fast they can play or how they can improve their tone. It always comes back to high-range playing.
To answer this question, we must first step back and consider the most accepted methods when improving other areas of a player’s development.
How do we improve speed in fingering rapid passages?
1. Begin the passage slow and gradually increase the tempo.
2. Do not increase the tempo until you are able to perform the passage correctly every time you play it.
How can a player increase his/her endurance?
1. Gradually increase the amount of time you spend playing.
2. Periodic rests for the lip to recover is very important.
How can a player increase his/her flexibility?
1. Practice exercises which require gradually wider intervals.
2. The use of slurred exercises is strongly recommended.
In each of these areas, speed, endurance and flexibility one element is constant. Practice and gradually increase these areas to improve.
So, does this concept work when trying to increase one’s upper register playing? Sometimes it does and many times it doesn’t. Now let’s breakdown some for the elements which could be interfering with one’s progress.
Equipment-
Your trumpet-
If you are working with inferior tools, you may have discovered a cause of your situation. Not all trumpets are the same. I have even found differences between trumpets of the same make and model which make one play differently from the other. Now let’s assume your instrument is of decent quality without any leaks (especially water key leaks) and has been cleaned periodically, we will move on to our next area to be considered.
Your mouthpiece-
If your mouthpiece is of normal design we are on the same page. If on the other hand you are one of the many who have invested a small fortune on “the perfect mouthpiece to play double high X”, you might as well stop reading this post for these extreme mouthpieces will most often give the player greatly fluctuating results and I am not interest or even qualified in making recommendations on unknown products. On the other hand, if you are playing on a more conventional mouthpiece manufactured by a reputable supplier, continue reading.
Practice routine-
If you practice when you feel like it or when a gig is coming up, stop reading for I can’t help you. But, if you are disciplined enough to understand the need for careful, regular and thoughtful practicing, read on.
Current needs and expectations-
If you are trying to play notes more than a fifth higher than you can play at this time, I can’t help you, but if your expectations are more reasonable at this time, (expecting to increase your range by a third) read on.
Now that we have considered your equipment, your practice habits and your realistic expectations, our next post will discuss the physical and mental issues in playing in the upper register.
