Danger ! Danger- Do Not Use………..

Slide Creams are all alike…..Right? No About a month ago I noticed that my flugle horn’s tuning slide was working a little hard and because I had just lubricated my trombone slide with some Yamaha Slide Cream, I thought it wise to lubricate my flugle horn’s tuning slide before I put my equipment away. Bad decision. When I tuned with our organist for a church service this morning, I found that the tuning slide in my recently lubricated flugle horn could not be budged. No matter what I did, I could not move the slide. When I got home, I…

How to Start to Get Back in Shape in 3 Days- Part #6

Secrets to Improve Sight Reading Why are some people able to sight read much faster than others? Is it a natural occurrence or are there extenuating conditions which make some read much faster than others? To understand this inconsistency, we need to isolate the elements needed for rapid sight-reading. Elements involved with effective sight-reading- 1. Recognition of pitch 2. Recognition of rhythm When divided into these two elements the answer to why some people are able to sight-read faster than others is more apparent. We are all at the same level when recognizing pitches and eventually reacting with the correct…

How to Start to Get Back in Shape in 3 Days- Part #5

Stiff Chops If you have been off your instrument for any length of time, stiff chops is not something you will be facing for extended rest periods will solve any stiff chop problems you might run into. Stiff or inflexible lip muscles are usually attributed to over practicing and under resting. The reason I included this condition when addressing “Getting Back In Shape” was to precaution you against practicing too much, too soon when gaining your strength and endurance. Too much practice will build chops and at the same time build stiffness which is something you should avoid at all…

How to Start to Get Back in Shape in 3 Days- Part #4

Endurance- noun 1. the fact or power of enduring or bearing pain, hardships, etc. 2. the ability or strength to continue or last, especially despite fatigue, stress, or other adverse conditions; stamina 3. lasting quality; duration 4. something endured, as a hardship; trial. Of the four definitions listed above, I prefer to use the second to define the word endurance in this particular case. Although some may experience pain and hardship, those people might be practicing in the wrong way to achieve their goal of better endurance. Endurance is simply training your muscles to gain strength which in turn increases…

How to Start to Get Back in Shape in 3 Days- Part #3

Finger Flexibility Exercises Clean breaks between notes require fast and coordinated valve action and for that reason you should practice finger or valve exercises daily. I have included a few exercises which will help increase this area of your performance. Playing fast material will hide many fingering faults where slow material will quickly expose weaknesses. For that reason I have included two slow song “I Wonder As I Wander” and the lesser known “Humoreske”. A musician may have the best tone in the world and still be rated poorly for sloppy valve work and for that reason it is a…

How to Start to Get Back in Shape in 3 Days- Part #2

Range Developing your high range is not something that you can substantially increase in three days but getting back to a “useable” range is possible. When I say a usable range I am speaking of notes up to and including high C which is the normal upper register for most of us when performing in church or normal concerts. Playing shows and lead parts in big bands do require more upper range playing but if you are expecting to be called for these jobs, you shouldn’t let yourself go in the first place. Increasing your upper register can be approached…

How to Start to Get Back in Shape in 3 Days- Part #1

Notice the word “start”. To get back to your full potential after lying off an extended amount of time is something that will take more than three days but starting to get back in shape is where we all find ourselves from time to time. In most cases we are asked to perform a solo, play some hymns in church or play taps when we have not been conscientious in our regular practice habits and you may find this an effective way to get back your “usable chops” for these unexpected moments. Thoughtful and structured practice for three consecutive days…

Do We Really Know What We Sound Like?

We as instrumental musicians have a lot to learn about listening to our musical product. While taking a voice lesson from a good friend of mine I was told “You can’t tell what you really sound like when you are singing and that is why professional singers always work with a vocal coach”. That made me think about our hearing and actual listening situation. I have always been a campaigner for regular recording and listening to one’s practice periods. I have even extended that practice to practicing with pre-recorded material utilizing a play/rest concept which I use every day. I…

5 Areas Where Most Trumpet Players Go Wrong- #5 “Fingering”

Some may ask, “What could go wrong when fingering? You push the valves down and they come back up. Although this statement is very true, improper fingering or inadequate practice of fingering can lead to several playing faults. Here are a few bad habits and voids when practicing to improve your fingering I have observed through several decades as a trumpet teacher. 1. Valves go down too slow Many players equate slow tempi with slow valve action. WRONG! As Doc Severinsen has always stressed; “Bang the valves down at all times”. As Don “Jake” Jacoby always said, “Bang the valves…

5 Areas Where Most Trumpet Players Go Wrong- #3 Tonguing

The tongue servers more than one function when playing a brass instrument as indicated below- The tongue acts as a valve to open and control the air flow from the lunges to the lips. The tongue affects the final tone quality or timbre of the sound of the instrument. The tongue, through raising and lowering in the mouth cavity controls the velocity of the exiting air stream which affects the various ranges one performs in. The tongue facilitates rearticulating of rapidly tongued notes. The tongue can affect styling changes such as recognizable jazz articulation. The tongue is the only part…